![]() Entertainment Design: The Art and Technology of Show Business 38.9 (2004): 10-11. "Tours: Hanging by a Thread: De La Guarda’s 'Villa Villa' Bounces into Sydney's Big Top". "The Soul Needs the Body: the body and technology from a dancer’s perspective". "Aerial Dance: A Guide to Dance with Rope and Harness". "Low-Flying Air Craft: a report from the Aerial Dance Festival 2000 and a talk with Terry Sendgraff". Site Dance: Choreographers and the Lure of Alternative Spaces University Press of Florida 2009. Kloetzel, Melanie and Carolyn Pavlik, editors.Blue Lapis Light: Site-Specific Aerial Dance. ^ Zaccho Dance Theatre web site Archived January 15, 2011, at the Wayback Machine - Artistic Directory Joanna Haigood.Aerial dance is an art form that is incredibly demanding and requires a high degree of strength, power, flexibility, courage, and grace to practice. The performance of the Company is distinguished from others by the details of the choreography and the harmony of the movement, typical elements of classic dance. In Italy, an emerging aerial dance company, brought the contemporary dance discipline to a vertical stage. Here workshops, performances, and discussions bring together dancers, gymnasts, circus artin Brighton, England every summer. In Boulder, Frequent Flyers Productions produces the Aerial Dance Festival which been held every year since its inception in July 1999. Sendgraff used the apparatus to spin, twist, as well as fly in a straight line and in a circle. By formalizing this, hooking both ropes to a single point of attachment, Ms. The ropes twisted together, causing the apparatus to spin. The motivity trapeze came about as a result of an exploration on a low-hung circus trapeze. ![]() Sendgraff actively performed, choreographed and taught in the San Francisco Bay Area from the early 1970s, until announcing her retirement in 2005 at the age of 70, when she handed over her aerial dance business to Cherie Carson. Aerial modern dancers gather annually for workshops in Boulder, Colorado, County Donegal in Ireland, Brittany, in France, and Italy.Īnother early influence on aerial modern dance, Terry Sendgraff, is credited with inventing the "motivity" trapeze. The introduction of a new element changes the dancer’s balance, center, and orientation in space. The apparatus used has its own motion, which changes the way a dancer must move in response. It was born from the desire to explore space, environment and become a place where everything was possible.”Īerial modern pieces, whether solo or ensemble, often involve partnering. Moretti says, “From its beginning 30 years ago, vertical dance evolved from the multiple practices and influences of its initial instigators. Wanda Moretti of Italy is creating a vertical dance network aimed at collecting knowledge for artists and professionals in the field. The troupe is no longer touring, but some previous members have started a new company called Cuerda Producciones that continues to create aerial dance theater pieces. ![]() In the late '90s an Argentinian aerial dance troupe named De La Guarda gained notoriety in London for their show combining performance art with aerial dance. She choreographed multiple pieces off the ground, some involving projection and multimedia, using air and wall surfaces in novel ways. She was notably the first choreographer to pull dancers up into the air. They are not “dancey” pieces, but by placing the pedestrians on the side wall, Brown illustrates the choreography of everyday movement. Please see the video of a reproduction of one of her early pieces. She called her dances (1968–1971) "equipment pieces". One of the first choreographers to utilize what we now think of as aerial dance was Trisha Brown. In the second, the dancer uses dance as a way to indicate that their work is less trick-based than circus arts, and in some cases hopes that disassociating with the circus makes their work appear more contemporary and artistic. The first utilizes the strength and expression of dance with an altered state to communicate contemporary ideas. In the second type a dancer or acrobat intertwines the use of the floor or a wall with their aerial apparatus. In vertical dance a dancer is suspended in a harness from a rope or cable and explores the difference in gravity, weightlessness and varied movement possibilities offered by the suspended state.
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